GOOGLE BOSS
HAS A PASSION FOR KENYAN ART
BY
margaretta wa gacheru (margaretta.gacheru@gmail.com)
Ever since December 2014 Charles Murito
has been inviting local artists to come exhibit their work at a space of his
choice on a monthly basis.
To begin with,
the exhibitions were essentially private as they took place in his new home in
Kilileshewa where personal friends came to see -- and potentially buy -- the
artworks of mainly painters.
So
successful were these shows, both for the artists and for the Kenyans who were
often just as enamored with the works of artists like Patrick Kinuthia, Adrian
Nduma and Patrick Mukabi among others that he decided to take his end-of-month
Saturday program to the public.
That’s how
it happened that this Saturday afternoon from midday, a small but select group
Kenyan painters will be showcasing their ‘Art in the Den’ of the new Dusit D2 Hotel
off Riverside Drive in Westlands.
It’s the
venue that the Kenya Country Manager of Google agreed with Dusit’s general
manager, Michael Metaxas to let the
artists take over the spacious conference hall once a month so the public can come
to meet the artists, see their art and potentially buy it at prices that
weren’t inflated by middle men.
“What I
especially like about the arrangement is that the artists will be able to go
home with every penny they make from the sale of their art,” said Mr Murito,
who besides being an avid admirer and collector of Kenyan art is also in charge
of one, if not the leading IT company
in the world. It’s also a brand name that is so popular the public has even
turned it into a verb!
For him, art
is a hobby as well as a passion that’s inspired him to cover the walls of his
new home with works by up-and-coming young artists like Nduta Kariuki, Waweru
Gichuhi, and Teddy Mwai as well as by more acclaimed painters like Mukabi,
Nduma and Kinuthia.
Not that he
was a voracious art lover before he returned to Kenya in 2013 after living
abroad for nearly two decades, first in the States where he went to university
and subsequently worked for Warner Brothers, then in the UK from where he would
commute all around Africa and the Middle East for MTV, and finally back in Kenya
where his background of working in media, marketing, management and technology
made him the prime candidate to spearhead Google’s growth in the country.
But being
someone whose professional career has often involved his uncanny ability to
spot untapped talent, he was quick to see the unsung artistry and immense
potential of Kenyan creatives, starting with Patrick Kinuthia whose vivid and
colorful portraits first caught his eye.
Through
Kinuthia he got to meet many other local artists who he saw were often
struggling, which is why he’s wanted to help them out.
“I’m well
aware I wouldn’t be where I am today if I hadn’t been helped by people who
became my mentors,” said Murito who made own way to the US without scholarship
or sponsor, but rather worked his way through Woodbury University in Burbank,
California, doing a myriad of jobs.
But he
admits he might not have made it through if it hadn’t been for mentors like the
president of the university, Richard King who he met by serendipity. “I
would’ve had to drop out if he hadn’t helped me get a partial scholarship and a
school loan in my last year,” Murito said.
So he’s
especially sensitive to the financial burden that many gifted artists struggle
under, which is one reason why he’s opened up a space where artists don’t pay a
penny either as a commission to a middle man on every sale nor do they pay for
the exhibition space since he makes all those arrangements. It’s a set-up that
is rare in Nairobi’s art world, but Murito is happy to do it.
Unlike most
people who provide space for artists to exhibit their work, Murito isn’t in the
art world to make money. However he admits he gets immense satisfaction in
being part of Kenya’s emerging art market, especially as his experience has
shown him there’s an immense need to ‘change the narrative’ about Africa and he
sees the artists as being instrumental in making that change happen.
“Art
combined with technology can be the means of transforming the misconceptions
about the region,” he said. But he’s also aware that artists need to treat
their art as a business and means of earning a living. Otherwise, they will
forever be under the control of middle men.
There’s
nothing shameful or demeaning for artists to make money from their art, he said.
If they don’t take ownership of their careers, someone else will,” he added.
One way the
artists can take charge of their art is by meeting their prospective buyers
face to face without a middle man intervening, Murito said.
“That
relationship between the artist and the client is key,” according to a man whose
job for many years was that of a marketing strategist, particularly in media.
The one
thing Murito expects from the artists is for them to mentor the next generation
of emerging creatives. That is one reason why he’s set up a corner of the
conference hall where artists like Patrick Mukabi teach children how to paint
and draw (in a way similar to what he does on his Saturday morning TV show, the
Know Zone).
Mentoring
young artists in person is something Mukabi also does. He’s been doing it for
years, first at The GoDown where he had his studio and now at the Railway Museum’s
former art gallery which he’s named the Dust Depo.
Mentoring, Murito
feels is a small price for artists to pay, but he says it’s important to ensure
there will be many more generations of creatives to ensure that in future,
local artists won’t be known just as Kenyans.
“They’ll be
recognized as outstanding artists, not specifically as Kenyan or African, but
as creatives operating on an international stage,” said Murito who’s convinced
artists based here need to think bigger and more boldly about their capacity to
make waves on a global platform.
“Given their
talent and the technology that exists right now, we have the means of breaking
down multiple barriers and operating on a level playing field with artists from
all around the world,” he added.
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