Safina Said
Kimbokota just had an Open Day at Kuona Trust where the Tanzanian sculptor shared
the artwork that she’d created during the three weeks that she’d been an
Artist-in-Residence at the Trust.
Safina at Kuona Trust, Nairobi shortly before she returned to Tanzania. photo & story by Margaretta
The time had
flown by and Ms. Kimbokota only managed to construct one large mixed media
scrap metal sculpture. But that’s no wonder, given she not only chose to weave
and weld scrap metal wire into a three-dimensional form which she then welded
into a circular light steel frame.
Safina finishes soldering her sculpture at Kuona. Photo by Antony Wachira
After that,
she stitched and wove together scraps of kitenge fabric so as to dress up and
transform the lifeless metal piece into an elegant Black Beauty which I would
have named ‘African Venus’ if it had been up to me. For just as her Beauty
didn’t have a face, only a shapely torso, something like the classical Greek sculpture
that was given the title of the goddess Venus who was from Milo.
Fortunately, during her Open Day, the University of Dar es Salaam lecturer in fine art was also able to share a broader sampling of her art, including both paintings and more sculptures, some of which had been part of the group exhibition that just closed at Tanzania’s Alliance Francaise.
Safina's Black Beauty or my title is African Venus. Photo by Wachira
Fortunately, during her Open Day, the University of Dar es Salaam lecturer in fine art was also able to share a broader sampling of her art, including both paintings and more sculptures, some of which had been part of the group exhibition that just closed at Tanzania’s Alliance Francaise.
‘Choices:
Women Art Creators Exhibition’ had been part of the International Women’s Day
celebrations which, like a similar showcase in Nairobi, exclusively featured
women’s creations. Safina was one of eight women artists, and one of the three
female sculptors in the AF show.
Safina at work at Kuona. Photo by Wachira
Admitting
that she personally prefers sculpting to painting, Safina’s training in creative
expression started from home where her mother was a tailor who taught her
younger daughter how to stitch and sew. Then in primary school, she learned how
to weave and sculpt in clay, skills that she continues to use even now after
years of attending art schools, both in Bagamoyo and next door in Uganda.
It had been
a struggle to stay in school, not only because she’d lost her father when she
was still very young and her mother’s attempts to run the family business had
been thwarted by crooks who took advantage of her mother’s trusting heart. But
she also ran up against family resistance to her dream of pursuing a career in
the arts.
“Fortunately,
my mother stood with me as she understood how much I wanted to follow this path
and she knew that I could do it,” said Safina who didn’t have the funds to go
to Dar despite having been admitted in 2008.
Safina with her Black Beauty on Kuona Open Day. photo by Wachira
“But as my
mother passed on just before the school fees were due, the university policy
was to cover the costs for [qualified] orphans,” she added.
It was actually
after she’d completed her Bachelor’s in Fine Art degree in 2011 that Safina,
while attending a three week metal workshop, discovered how much she loved
working in metal, soldering, welding and even weaving metallic wires into
textile-like skins.
“The biggest
problem I faced after the workshop was not having the [necessary] machines,”
she said. But as she was determined to continue on her course, she went to the one
suburb of Dar that’s comparable to Nairobi’s own Gikomba.
“I asked the
welders there if I could work with their machines when they weren’t using them.
They were amused at my request, but they agreed,” she added.
That is how
she managed to create two sculptures which she sold at her first major art
exhibition. “And that was the money I used to finally buy my own welding
machine along with a grinder and overalls,” said Safina who uses those same
machines to this day.
But that
wasn’t the end of the challenges that she’s faced. “My first sculptures didn’t
sell very well, so in order to support myself, I began to make shoes using
kitange material.”
How she got
the idea to make shoes is unclear, especially as she had to go directly to
local cobblers who begrudgingly showed her how to assemble the shoes which she
eventually re-designed and sold extensively in both local and international
markets.
But when she
started receiving huge orders for her kitange shoes from overseas, she realized
the work was more than she could handle. Besides, she wanted to get back to her
art.
It was
during those shoe-making days that Safina decided to go back to Dar for a
Masters degree. Again, she had the good fortune to be offered a teaching
assistantship in the fine art department.
“I’m both
teaching and studying myself,” said Safina who was only able to make it to Kuona
during a school break; but she’s already back on track teaching at the
university.
But at the
same time as she’s teaching, she’ll continue working on the series of
sculptures that she started before coming to Kenya which is all about ‘The
Ideal Beauty of African Women.’
“I feel it’s
important that African women come to appreciate their own natural beauty and
not feel compelled to conform to stereotypes that claim beauty can only be
white, which we know it is not.”
Awesome! No words. You always go one step beyond.
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