MAGGIE OTIENO, MASTERFUL MULTI-TASKING ARTIST
By Margaretta wa Gacheru April 15, 2016
Maggie with old friends, Rakeeb with whom she shared an art studio during her days at Creative Art Centre and John Solly of Mombasa
Maggie Otieno didn’t become one of Kenya’s leading artist
and art entrepreneurs overnight. She’s taken her time, first to figure out what
specifically she wanted to do artistically, given her studies at the Creative
Arts Centre had made her an all-rounder and primarily a painter.
It was after she’d joined a sculpture workshop with Elijah
Ogira at Kuona Trust that she finally knew her special field was sculpting. She
would eventually work in everything from wood, fibre glass, scrap and sheet
metal; the latter materials can be seen standing at the entrance of Garden City
Mall where her eight metal ‘Gatekeepers’ welcome shoppers and guests to the
leading Thika Road mall.
Another key to Maggie’s success is working together with
other artists, first at CAC, then when she, with several of her fellow students,
rented a studio together, and finally at Kuona Trust which she joined soon
after it opened in the late 1990s. She’s been staying close to the burgeoning
Kenyan art community ever since, both by working side by side artists at Kuona,
but also through the professional fine arts agency that she founded a few years
back and which has enabled her to commission other artists to assist her in
completing various commissioned work that she’s been given.
That’s what Maggie has been doing ever since she launched ArtTouch Ltd. back in 2007. Initially, she did smaller jobs like creating sculptures for people’s private gardens. But then in 2013, she got her first major commission with the Kenya Railways. Her company was to beautify several railway stations either with monumental sculptures or murals, which she’s done with a little help from some of her artist friends, including Kevin Oduor, David Mwaniki, Jackie Karuti, Meshak Oiro, Rose Ahono and Alex Njoroge among others.
That’s what Maggie has been doing ever since she launched ArtTouch Ltd. back in 2007. Initially, she did smaller jobs like creating sculptures for people’s private gardens. But then in 2013, she got her first major commission with the Kenya Railways. Her company was to beautify several railway stations either with monumental sculptures or murals, which she’s done with a little help from some of her artist friends, including Kevin Oduor, David Mwaniki, Jackie Karuti, Meshak Oiro, Rose Ahono and Alex Njoroge among others.
Maggie working on a metal sculpture for a private client (photo by Eric Gitonga)
To date, Maggie’s most prestigious commission came from
Garden City where her Gate Keepers which stand near the other artwork
commissioned by the Mall. Both she and Peterson Kamwathi had submitted sketches
of the artwork they’d proposed to create for the upmarket mall. So did a number
of other Kenyan artists but the two designed by Maggie and Kamwathi were the
ones chosen to make their sketches into authentic, show-stopping works of art.
But there’s one other key to Maggie’s success and that is
her mastery of arts administration. It’s the less glamorous side of the local
art world but it’s required her to keep updated on all that’s been happening
primarily in the visual arts field. That’s what she did at the online art
centre, African Colours, where she worked with Andrew Njoroge and had
opportunities to travel all around the African region looking at how other
sub-regional art worlds were faring.
She did something similar for the Arterial Network where she
kept AN’s home office in South Africa updated on the whole East African arts
field. And now through ArtTouch, she’s becoming a major player in the regional
art field herself.
As far as offering support to her fellow women artists,
Maggie got her start working exclusively with Kenyan women on a group project
conceived by the Kitengela Glass founder-artist Nani Croze. It was a giant
sculpture of Mama Africa which a number of women worked on. And since then
she’s invited women artists like Jackie Karuti, Florence Wangui, Rosemary Ahono
and Diana Achieng to work on some of her ArtTouch projects, such as the giant
wall mural commissioned at the Imara Daima railway station.
Maggie just completed her latest commission, another
sculpture for a private garden. But it was a challenge to complete the work on
time since she also serves on the Kuona Trust board which has been busy this
month as various VIPs have been visiting and she’s played a part in showing
them around Nairobi’s vibrant arts community.
So clearly Maggie’s a multi-tasker, even as we find most
women are, and even as Maggie is also a mother of two. The big difference
between her and other women is that her first passion is her art. It’s also
keeping track of the art market which is one reason why she now has an art and
craft shop of her own at the Galleria Mall on Langata Road. For more info on the
artist, see her website, www.maggieotieno.com.
Compliments if the season Was Gacheru. A very good read. Most appreciated.
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