Le Rustique has become a regular venue featuring artworks by some of Kenya's finest contemporary artists, like Kota Otieno
Posted Thursday, July 5 2012 at 19:46
Restaurant showcases local and global art
By MARGARETTA WA GACHERU
Posted Thursday, July 5 2012 at 19:46
Le Rustique isn’t the only restaurant in Nairobi to
display contemporary Kenyan art. Nor is the Westlands eatery the first
to transform itself into a quasi-art gallery.
But for the past eight years out of the 10 that Maike
Potgieter has been managing the café/creperie, her restaurant has
consistently hosted mostly local Kenyan artists on a monthly basis.
The first art exhibition at Le Rustique was of
works by Geraldine Robarts, the former Kenyatta University fine art
lecturer, who saw the venue’s immense untapped potential for showing
the best of contemporary Kenyan art. That was in 2004.
Since then, the leafy-green open-air space has
consistently been curated by the Belgian artist and former refugee aid
worker, Xavier Verhoest.
The former Medecins sans Frontiers volunteer worker
who came to Kenya early in the new millennium has helped promote a wide
range of resident artists by arranging group and solo exhibitions for
them at the restaurant.
“Actually, the second exhibition here was of my
work together with the art of [Sudanese artist] El Tayeb,” recalled
Verhoest whose art is currently back up at Le Rustique together with
works by 10 other mainly Kenyan artists.
He also has a solo show of his art addressing the
theme of IDPs in Kenya, displayed in the home of another Belgian
curator, Samantha Ripa di Meana.
Impressive
Eleven in one day is an impressive showcase of some of Xavier’s favourite local artists, most of whom he’s exhibited before at the restaurant.
That includes Peterson Kamwathi and Shabu Mwangi,
Kota Otieno and the Japanese artist Yoshirari Nishiro who’s been a
resident of Nairobi for several years.
In addition, 11 in 1 day also features the
art of Alan Githuka, Ato Malinda, Beatrice Njoroge, El Tayeb, Philippa
Ndisi-Hermann, and Godfrey ‘Gado’ Mwampenbwa, the esteemed Daily Nation cartoonist.
It’s an eclectic mix of everything from
photography, cartoons, and paintings that are mostly oil paints or
acrylics on canvas, although El Tayeb’s latest iconic images are all
painted on wood.
Meanwhile, paper is the preferred medium of both
Peterson Kamwathi (who draws with charcoal) and Ato Malinda (who uses
pen and ink as well as oil paint).
Apparently having no unifying theme other than Verhoest’s appreciation of the other 10 artists exhibiting in 11 in One Day,
the show actually came into being as a kind of farewell gift to a
European friend who owns artwork by nearly all the 11 artists.
The exhibition’s opening coincided with her
farewell party, so the evening became a celebration of Kenyan art as
well as a parting gift to a good friend.
But the show is also a confirmation of the cosmopolitan
character of contemporary Kenyan art. For there must be few capital
cities in the world where Japanese and Belgian, Sudanese and Tanzanian
artists exhibit side by side with Kenyans coming from Nyanza, Ngong,
Ngecha and Nakuru as well as from Karen and Kileleshwa.
The fact that practically all the East Africans in the show have traveled studied and exhibited both within and outside the region is as much a testimony to the quality of the artists’ creative capacity as it is about the possibilities that art generally can open up to imaginative individuals.
The fact that practically all the East Africans in the show have traveled studied and exhibited both within and outside the region is as much a testimony to the quality of the artists’ creative capacity as it is about the possibilities that art generally can open up to imaginative individuals.
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