Online magazine that’s a sight for sore eyes
By MARGARETTA WA GACHERU
Posted Thursday, July 26 2012 at 19:57
Posted Thursday, July 26 2012 at 19:57
‘After five’ is often seen as
the time when people get off work (i.e. in you’re in the formal economy) and
let their hair down. It’s when, according to Kenyan web designer Christina Engell
Anderson, they get back to the business of pursuing their primary passion, be
it a sport or workout session, play rehearsal or music lesson or some other creative exercise.
After 5 is also the name of the online magazine that Anderson
started less than a year ago to celebrate Kenyan creativity and provide a
digital platform for a portion of those artistic passions to be shared with a
wider online public.
It was the passion of the Kenyan
photographer that first attracted Anderson to design her own magazine to
spotlight young visual artists like Philippa Herrmann-Ndisi, Zack Saitoti,
Jimmy Chuchu (better known for his work with ‘Just a Band’), Neil Thomas and
Karungari Wambugu.
Already on her sixth issue of After5, Anderson has yet to make a bundle
of money from her magazine. “But that wasn’t the point of my setting up the
website in the first place,” said the daughter of the award winning public
relations doyen, Yolanda Tavares-Anderson.
“We wanted to see if we could
create a viral effect online with the magazine,” said Christina referring to
the tsunami-like effect that various YouTube videos have had (such as Justin
Beiber’s rapid rise from nobody to becoming a pop star overnight via YouTube).
In fact, she’s found that
Kenyans are still more inclined to pick up a newspaper than look at an online
magazine, unlike media consumers in South Africa where she studied for seven years,
from her first year in secondary school (at a girls boarding) through University
of Cape Town where she graduated in 2007 with a triple major in Film, Media and
Interactive Production.
“They still seem to trust the
print media more than online services,” said Christina who admits that changing
people’s media habits is a slow process. Nonetheless, her audience is growing
all the time.
“Initially we had to call up
photographers and ask if we could put their images online, but now they are
calling us and asking to be featured,” said the 24 year old founder of one, if
not the first online magazine devoted solely to exposing the works of Kenyan
photographers.
Highlighting one photographer
every issue with visuals and an in-depth interview, some issues of the magazine
have included as many as 21 visual artists, all of whom are either Kenya-born
like Herrmann-Ndisi (whose ‘She series’ was featured in the first issue) or
long-standing Kenyan residents like Neil Thomas (whose ‘Turkana series’ was the
centerpiece of issue #2).
Her latest issue #6 is all about
exposing the Instagram, a cutting
edge online application (app) that anyone can download for free on their cell
phone and take photographs of their ordinary everyday experiences.
It’s an ‘app’ that Anderson says
has caught on like wildfire in the West. It has also come to Kenya where
increasing numbers of amateur photographers have become what she calls “Instagrammers”,
spontaneously shooting random images that catch their eye.
In a sense, the Instagram has
had the viral effect that Christina had hoped after5 would. But being at the cutting
edge of online culture in Kenya isn’t all that easy a place to be. It’s
understandable however, given her background, both academic and experiential.
First of all, she returned to
Kenya after living in a society where a good percentage of the population goes
online regularly for everything from shopping to researching products, people,
places and practical information of all sorts. She sees Kenyans moving in this
direction gradually, but by her providing online services and enabling
increasing numbers of Kenyans access to information, she hopes to hasten
people’s interacting online.
Second, she interned at a South
African online visual arts magazine called One
Small Seed while still an undergraduate in Cape Town and quickly felt she
had found her calling. “It was such a creative atmosphere to work in that I
felt that one day, I would love to work in Kenya in an environment just as
exciting and stimulating as I found at One
Small Seed,” said Christina who, at age 22, had to decide whether she’d
claim Danish or Kenyan citizenship (since dad is a Dane and mum a Kenyan).
“There was no doubt in my mind:
I had always planned on returning to Kenya, and I especially wanted to join the
Kenya Ladies Golf Union,” said this award-winning golfer whose mum is also an
avid golfer and taught both her daughter and son Stefan (whose now a pro) how
to play golf from a very early age.
But it took a job working for a
Kenyan web design company called Zamoya her first year back in this country
before she could gain the confidence required to go out on her own and start to
utilize all the online skills that she’d acquired in Cape Town by starting up
her own web design companies.
The first one she constructed is
called www.celebrationskenya.co.ke.
It came out of her seeing how difficult it was for a dear friend to organize
and plan her wedding since there was no central place for her to go to get
information on everything from wedding reception venues to catering services
and bridal gown designs.
Unfortunately, the site hasn’t
earned her a fortune as yet; but then, she feels compensated in knowing that
people’s weddings have gone well thanks to the information they accessed via
her website.
She continues to develop the Celebrations
Kenya site, but since she started after5,
she admits her focus has primarily been on building the website until it will
one day look more like One Small Seed, which is available both online and in
print.
In the meantime, one may also
find Christina playing golf for the Ladies Golf Union of Kenya. For a girl who
won the British Junior Open in Scotland at age 14, was just made deputy captain
of the Ladies Golf Union, next in line to become captain.
Otherwise, Christina believes
that both www.after5.co.ke and www.celebrationskenya.co.ke are
‘bridging a gap’ between a public hungry for relevant information and artists
and entrepreneurs who busy developing Kenya’s creative economy. She also hopes
her websites are serving a useful purpose enlightening the public about the
immense creative capacity potential of online publications as well as of
Kenya’s visual artists.
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