Friday, March 4, 2016

CULTURAL ACTIVISM A REFRESHING START FOR 2016










                 

Cultural activism to take centre stage in New Year

   


Madhvi Dalal demonstrates yoga dance at Dance 4 Peace workshop. PHOTO | MARGARETTA WA GACHERU 
By Margaretta wa Gacheru

Posted  Thursday, January 14   2016 at  17:56
In Summary
  • Dance for Peace is just one facet of the multifaceted cultural movement that Angerer is striving to ignite with a specific focus on February 27.
Culture isn’t just about art or music or dance,” says Wanny Angerer, a woman who should know, given she’s a dynamic cultural activist who among many other things, conducts music and dance therapy sessions several times a week.

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Some days it’s with cancer survivors at Faraja Cancer Support; other times it’s with orphans or children whose mothers are in prison or simply with people living in challenging circumstances who appreciate her generosity and her joy.

“Culture is all about the way people express themselves in their everyday lives,” says the founder of Moving Cultures, an organisation committed to promoting culture as a practice and a talent that everybody has.

Angerer’s holistic perspective on culture has led her to work and link up with everyone from artists, educators and musicians to foodies, yogis, journalists and fashion designers. And it’s all with a view to discovering new ways that people can link up, share their talents, collaborate and ultimately showcase their creative skills.

For instance, this past week, she, under the umbrella of Moving Cultures, was collaborating with dancers to conduct ‘Dance for Peace’ master classes at the Michael Joseph Centre. On Tuesday, they were Yoga and Indian Dance workshops led by two professional dancers who also both teach yoga.

One was a Kenyan Madhvi Dalal whose specialties are Bharatanatyam, Reiki and Yoga; her performance of a Yoga dance during the workshop was a highpoint of her class.

The other dancer was Nikolina Nikoleski, a Croatian ballerina who also specialised in contemporary dance before she discovered Indian classical dance or Bharatanatyam and the art of yoga.

Nikoleski also performed an elegant Indian dance after she had shared basic elements of the dance with young Kenyan dancers who had come from all over Nairobi to take part in the workshop and master class.

Last Saturday night, Nikoleski together with Angerer performed at the Oshwal Auditorium in Westlands, Nairobi, where they raised millions of shillings to help the Amara Charitable Trust construct classrooms in rural schools in Machakos County.

Then last Wednesday, the dance focus shifted from classical dance and yoga to more contemporary forms like hip hop. And since Moving Cultures is all about collaborating among artists and cultural activists, the hip hop dancers who conducted master classes all morning were assisted by members of Sarakasi Dancers and Angerer’s Moving Cultures Band, including vocalist and poet Adam Chienjo and guitarist Steve Kimani.

But Dance for Peace is just one facet of the multifaceted cultural movement that Angerer is striving to ignite with a specific focus on February 27. That’s the day she’s encouraging cultural venues all over the city to consider and act upon the concept that she calls “cultural stopovers”.

It’s a sort of cultural festival which, in the spirit of devolution is meant to take place everywhere from restaurants and schools to recreational venues, galleries, hotels and bars as well as malls, sports centres, NGOs and even art and craft shops.

She’s already got a whole lot of venues on board to open their doors and collaborate with new faces and forms of cultural expression.

“The idea is to get people moving out of their comfort zones to explore new dimensions of culture,” says Angerer whose primary work as a dance and music therapist is to get people moving and motivated to express their own unique creativity.

She’s a motivational force in her own right and on several continents starting in South America, in her home country of Hondures where she was devising intercultural learning projects for the American Field Service for a decade.

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GOOGLE CHIEF HAS A PASSION FOR KENYAN ART

GOOGLE BOSS HAS A PASSION FOR KENYAN ART
BY margaretta wa gacheru (margaretta.gacheru@gmail.com)

          Ever since December 2014 Charles Murito has been inviting local artists to come exhibit their work at a space of his choice on a monthly basis.
To begin with, the exhibitions were essentially private as they took place in his new home in Kilileshewa where personal friends came to see -- and potentially buy -- the artworks of mainly painters.
So successful were these shows, both for the artists and for the Kenyans who were often just as enamored with the works of artists like Patrick Kinuthia, Adrian Nduma and Patrick Mukabi among others that he decided to take his end-of-month Saturday program to the public.
That’s how it happened that this Saturday afternoon from midday, a small but select group Kenyan painters will be showcasing their ‘Art in the Den’ of the new Dusit D2 Hotel off Riverside Drive in Westlands.
It’s the venue that the Kenya Country Manager of Google agreed with Dusit’s general manager, Michael Metaxas  to let the artists take over the spacious conference hall once a month so the public can come to meet the artists, see their art and potentially buy it at prices that weren’t inflated by middle men.
“What I especially like about the arrangement is that the artists will be able to go home with every penny they make from the sale of their art,” said Mr Murito, who besides being an avid admirer and collector of Kenyan art is also in charge of one, if not the leading IT company in the world. It’s also a brand name that is so popular the public has even turned it into a verb!
For him, art is a hobby as well as a passion that’s inspired him to cover the walls of his new home with works by up-and-coming young artists like Nduta Kariuki, Waweru Gichuhi, and Teddy Mwai as well as by more acclaimed painters like Mukabi, Nduma and Kinuthia.
Not that he was a voracious art lover before he returned to Kenya in 2013 after living abroad for nearly two decades, first in the States where he went to university and subsequently worked for Warner Brothers, then in the UK from where he would commute all around Africa and the Middle East for MTV, and finally back in Kenya where his background of working in media, marketing, management and technology made him the prime candidate to spearhead Google’s growth in the country.
But being someone whose professional career has often involved his uncanny ability to spot untapped talent, he was quick to see the unsung artistry and immense potential of Kenyan creatives, starting with Patrick Kinuthia whose vivid and colorful portraits first caught his eye.
Through Kinuthia he got to meet many other local artists who he saw were often struggling, which is why he’s wanted to help them out.
“I’m well aware I wouldn’t be where I am today if I hadn’t been helped by people who became my mentors,” said Murito who made own way to the US without scholarship or sponsor, but rather worked his way through Woodbury University in Burbank, California, doing a myriad of jobs.
But he admits he might not have made it through if it hadn’t been for mentors like the president of the university, Richard King who he met by serendipity. “I would’ve had to drop out if he hadn’t helped me get a partial scholarship and a school loan in my last year,” Murito said.
So he’s especially sensitive to the financial burden that many gifted artists struggle under, which is one reason why he’s opened up a space where artists don’t pay a penny either as a commission to a middle man on every sale nor do they pay for the exhibition space since he makes all those arrangements. It’s a set-up that is rare in Nairobi’s art world, but Murito is happy to do it.
Unlike most people who provide space for artists to exhibit their work, Murito isn’t in the art world to make money. However he admits he gets immense satisfaction in being part of Kenya’s emerging art market, especially as his experience has shown him there’s an immense need to ‘change the narrative’ about Africa and he sees the artists as being instrumental in making that change happen.
“Art combined with technology can be the means of transforming the misconceptions about the region,” he said. But he’s also aware that artists need to treat their art as a business and means of earning a living. Otherwise, they will forever be under the control of middle men.
There’s nothing shameful or demeaning for artists to make money from their art, he said. If they don’t take ownership of their careers, someone else will,” he added.
One way the artists can take charge of their art is by meeting their prospective buyers face to face without a middle man intervening, Murito said.
“That relationship between the artist and the client is key,” according to a man whose job for many years was that of a marketing strategist, particularly in media.
The one thing Murito expects from the artists is for them to mentor the next generation of emerging creatives. That is one reason why he’s set up a corner of the conference hall where artists like Patrick Mukabi teach children how to paint and draw (in a way similar to what he does on his Saturday morning TV show, the Know Zone).
Mentoring young artists in person is something Mukabi also does. He’s been doing it for years, first at The GoDown where he had his studio and now at the Railway Museum’s former art gallery which he’s named the Dust Depo.
Mentoring, Murito feels is a small price for artists to pay, but he says it’s important to ensure there will be many more generations of creatives to ensure that in future, local artists won’t be known just as Kenyans.
“They’ll be recognized as outstanding artists, not specifically as Kenyan or African, but as creatives operating on an international stage,” said Murito who’s convinced artists based here need to think bigger and more boldly about their capacity to make waves on a global platform.
“Given their talent and the technology that exists right now, we have the means of breaking down multiple barriers and operating on a level playing field with artists from all around the world,” he added.


Graffiti art at Dust Depo and Kenya Railways Museum in Street Diaries show

I'm told by the Bloggere that my browser is unsupported so I don't know what that means. in any case I have too many stories to share. if my stories can survive on an 'unsupported browser' u will be hearing from me soon. Right now in fact. these wall murals and paintings are in and outside Patrick Mukabi's Dust Depo, part of the Street Diaries showcase of graffiti arts. Below is Bankslave with his Blue Lips, Chela Chelagat with her African King, Eljay Mutua with  his Africa Rising mural and members of the Bomb Squad at work February 28 last Sunday 2016